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Written by John Starkweather and illustrated by Molly Kessler, The Morning After Retirement presents a surreal romp through the Bible. Check out the team bios and FAQs below for more information about the project. And if you have any other questions, reach out to the team via the contact page!

About The Morning After Retirement

Meet the Team

John Starkweather, Writer: John has been a retired (not in the sense of this story) engineer for the past ten years. He first had the idea for this story about a dozen years ago. His script for the play and now graphic novel has been evolving for about nine years. John is currently seeking a living kidney donor. You can learn more about his search by visiting and following Join with John on Facebook. While it is a coincidence that The Morning After Retirement is getting shared at the same time as John’s search for a kidney, both illustrate the need for love while facing life and mortality with hope.

Molly Kessler, Artist: Molly is a comedy writer, performer, and illustrator. A former cast member at the Second City in Chicago, her work has appeared onstage in theaters across the US and abroad. She is a contributing writer for Reductress and has written for McSweeney’s, Slackjaw, The Belladonna, Humor Darling, and others. She lives in DFW, but also on the internet. You can support Molly’s ongoing projects by visiting www.mollykesslercomedy.com and @mollykesslercomedy on Instagram.

Evan Starkweather, Producer: Evan is a writer, performer, and producer based in Chicago. A graduate of The Second City Conservatory and The Annoyance, they originated the role of Jonathan Van Ness in Queer Eye: The Musical Parody and their music video Platonic Gay Best Friend was featured on Funny or Die. Evan also produces art and community events and teaches yoga. They were uniquely qualified for this project on account of being the author’s child. To keep up with Evan, follow @evanspelledellen on Instagram.

FAQs

  • It’s a surrealistic, Midrash-inspired retelling of biblical themes, blending scripture, personal reflection, and contemporary references. It’s not satire, though there’s humor. It’s not doctrine, though it wrestles with faith. At its heart, it’s a story about growth—both at the personal level and for humanity as a whole.
  • The Morning After Retirement started as a short story and grew into the script for a three-act musical. When it came time to share the story more broadly, different formats were considered—a stage production, a podcast, and a graphic novel. In the end, the graphic novel proved to be the perfect fit. It allowed for rich visual storytelling that brings cultural references to life, enhances symbolism, and makes larger-than-life moments—like a helicopter rescue—feasible. The colors and artistic style reflect the story’s big themes, blending religious iconography, surrealism, and classic comic influences to create an experience that feels both theatrical and deeply symbolic.
  • This book will be most appropriate for adults and young adults who are exploring their faith and curious about some of the big questions of life. It may look like a comic book, but it’s not intended for young children.
  • The title reflects the perspective of Old A, the storyteller. He’s looking back on his life, reassessing choices, and seeing patterns he didn’t recognize before. Retirement often marks a turning point—one where people step back from active work and reflect on what they’ve built, what they’ve learned, and what still remains unresolved. In this story, retirement represents a passage from life on Earth to the afterlife, which gives Old A the chance to reflect back on the lessons of life as a whole.
  • A, E, G, J, S, and D are shorthand for familiar biblical figures—Adam, Eve, God, Jesus, Spirit, Devil—but they’re also meant to be something more. A and E, for example, aren’t just Adam and Eve, but any man and every woman. The goal is to let the story introduce them on its own terms, so the reader isn’t locked into traditional interpretations.
  • Pits represent “People In Trouble.” The Bible is full of pits—sometimes literal, sometimes metaphorical. This story uses them to symbolize different kinds of struggle, from personal crises to systemic injustice. If you’ve ever felt stuck in a pit of your own, you’ll probably see yourself somewhere in these pages.
  • Because these stories aren’t just ancient history. The themes of scripture—struggle, doubt, faith, love, and loss—keep resurfacing in every generation. By incorporating elements from modern culture, the book reinforces the idea that we’re still part of the same ongoing story.
  • Rhyme appears selectively throughout the story, not as a strict rule but as a tool. Some lines are written with poetic rhythm and rhyme to emphasize key moments, make certain ideas more memorable, or evoke the feel of oral storytelling traditions. It’s also a nod to works like Dante’s Divine Comedy, where poetic form helps elevate the themes. Italicized font is used to signal these moments, inviting the reader to notice when language takes on a more lyrical quality. Along with the vivid illustrations, the poetic language is used as part of the surreal approach to looking behind the masks people usually wear.
  • As you read, you might notice layers of meaning woven into the dialogue and imagery. If you ever find yourself wondering about a biblical or cultural reference or want more context on a theme, the endnotes are there to help. They offer deeper insight into the references and ideas that shape the story. Feel free to explore them whenever curiosity strikes!
  • The goal is to engage with big questions about life, meaning, and morality, encouraging you to wrestle with the complexities of truth, justice, and love. It’s not about presenting a "right" way to believe or "fixing" any faith, but about offering an invitation to think deeply, question, and explore, whether you come from a religious background or not.
  • This is a passion project, so the goal isn’t to make money. The graphic novel is available for free digitally, and the printed version is sold at cost for printing and shipping. The best way to support this project is to share it! Tell your friends and family. Suggest it as a topic for your Sunday school class. Or bring it to your book club. However you choose to share, it’ll be so appreciated!